Summer meeting and non-guided meditation flash mob for Jack Layton · Wednesday July 27, 2011 by colin newell
Imagine a 3 minute non-guided meditation.
It will be marked to begin with the ringing of a gong.
Beacon Hill Park – Saturday July 30th – 1 PM Pacific Time – Just below the parking lot there is a stone circle.
At around 12:30 to 12:40 pm coordinators will arrive to place a bamboo pole with a gauzy piece of fabric at the top to blow in the wind as a central marker.
People can just come and sit and be still and send their thoughts – spread out over the hill and just feel one with the purpose. Find your private space. This is entirely not about us – this is about Jack.
We will make a sign to put in the parking lot so that people who don’t know what is going on will be informed. There is plenty of great parking along Dallas road. Walk or bike. Please respect the native grasses.The Meditation Mob For Jack Click on image at left for map.
1:00 pm to 1:03 pm Pacific Time
Gather on the slope of Beacon Hill Park below the
parking lot that looks out over Dallas Road.
If you are joining us across Canada, note the following meditation times: 2:00PM to 2:03 PM Mountain Time, 3:00PM to 3:03PM Central, 4:00PM to 4:03PM Eastern, 5:00 to 5:03PM Atlantic Time and 5:30PM to 5:33PM in Newfoundland.
Help Jack Layton fight that cancer. Zap it with our love. Think about Jack for 3 minutes.
Listen for the gong to start together. Where ever you might be in Canada, schedule the 3 minutes. Plan a few minutes ahead. Center and ground yourself. Clear your mind. Send a positive stream of energy to Jack.
Updates – July 28, 2011 – Alternate locations: Cannot make it to Beacon Hill Park? Safe gathering areas include Centennial Square in Victoria and others… Create your own event. If you are shopping in the Bay Center downtown or one of Victoria’s many fine retail venues, consider putting down your shopping bags (if it is safe to do so) for 1 – 3 minutes commencing at 1300 hours Pacific time.
Currently looking for an incidental percussionist with a large bell or gong. Failing that, I will find something suitable.
Joan Athey and Colin Newell met at the Friends of the Empress Wine and Bubble event on July 26th and came up with this idea. Join us for 3 minutes of quiet meditation for Jack Layton. We encourage other groups to join us in meditation across Canada in your respective time zones. Our motto: “Think about Jack!”

Victoria Summer 2001 Under the Sea with Brennan Storr · Monday July 25, 2011 by colin newell
Under the Sea We Off the Hook, or Why I Want to be a Hermit Crab
By Brennan Storr…
I have a pet theory, one that I dreamed up during moments of great reflection –usually while sitting on the toilet or waiting for traffic lights to change. My theory is that this world is the spiritual equivalent of a rock tumbler. The rough, jagged gemstones are new souls: immature, wild and unaware of the damage they do to others.
Through the love and hardship of a thousand lifetimes the rough edges are worn smooth and we emerge from the other end as wiser, kinder old souls – polished gems – and we make our exit. I haven’t gotten as far as figuring out where the stones come from or go to but if you’re looking for hints I always recommend the “Three B’s” – Bible/Bhagavad Gita/Battlefield Earth.
The reason I mention this is because I recently moved apartments and with the hassle involved in moving this middle-class circus from one fairground to another I have decided that in my next life I want to be a Hermit Crab.
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Victoria Summer 2011 Design ideas from Italy Chapter 2 · Sunday July 24, 2011 by colin newell
A P.R. firm in Italy has spent the last 13 months coming up with a re-branding for their product.
13 months and this is what they came up with.
Feel free to click on the photo for the slighter larger view…
I have been polling this story pretty broadly and so far only one guy (a colleague that lives and works in Taiwan) thinks it’s OK to lampoon, minimize, diminish or profit from the misery of the past.
Example: There is a good reason why we discourage commercial use of images of Nazism and Adolf Hitler in ad media around the World.
And for similar reasons, the embracing of multiculturalism and leaving behind of old stuffy racist colonial thinking is known as progress.
The image above was custom made, for me, by the P.R. firm in Italy with the designer begging me for a change of heart with a frequent; “What? WHAT? What is wrong with using this lovely plump African woman dressed in 19th Century clothing to help sell espresso beans?”
My attempts at explaining my position on this matter have prompted more; “What? What? I don’t get it…”
Help me out here folks: Using racial stereotypes to sell stuff in Europe is not, like, this common, is it?
And for the record, the White guy that lives and works in Taiwan does embarrassing impersonations of Chinese Cab drivers that would have fallen flat on a 50 year old episode of the Ed Sullivan show – still, I appreciate all opinions…
Especially yours!

Victoria Summer 2011 Theater with the Blue Bridge Who's afraid of Virginia Woolfe · Friday July 15, 2011 by colin newell
As much as I enjoy a well written, filmed and acted movie – whether it be drama, comedy or action adventure, it never comes close to live theater – especially when it is great theater – like most of the productions that Victoria’s own Blue Bridge Repertory have been delivering.
Blue Bridge Repertory Theater, established in 2008 is led by veteran producer and director Brian Richmond. The founders of B.B. were convinced that the City of Victoria would support a professional theater offering its residents and visitors the opportunity to see world class productions of the great plays while offering early professional artists, many from UVic, the opportunity to work with some of Canada’s most respected directors and actors.
Andrea and I have been supporting Blue Bridge for the last couple of years. With this latest production, Who’s Afraid of Virginia Woolfe?, we feel they have simply outdone themselves.
The story revolves around associate professor George (played by the massively talented Andrew Wheeler) and his boozy and combative wife, Martha (played to breathtaking perfection by Meg Tilly) as they wind their way through an evening with a younger faculty member, Nick (in the role a dyed blond Alex Plouffe…) and his capricious and often bubble-headed wife, Honey, (again played to perfection by the skilled Celine Stubel).
“Who’s Afraid” is as much gut-wrenching drama, with impeccably timed witticism and repartee as it is a oddly comedic study on the nature of human romantic and sexual relationships… and their eventual and epic decay into sadness, loss and frustration.
And as much as I expected Meg Tilly, as Martha, to steal the “show”, that would be unfair to the rest of the ensemble cast – the truth is, Ms. Tilly puts everything on the line with her character. Martha is a gin soaked, bombastic whirlwind whose unrelenting cannonade of cyclonic verbal abuse leaves the average viewer, inexperienced with any form of domestic calamity, in a sensory coma. The literacy of the two characters, Martha and George, and their collaborative seduction and corruption of the two guests create a sense of team folly – that keeps us guessing as to their motives and their true feelings for each other.
“Who’s afraid” is a three act play with two 15 minute intermissions – and the intermissions are as as much an opportunity for the audience to grab some oxygen and ground themselves as they are for the cast to take a breather.
For the two of us, neither of whom have ever seen the movie (with Liz and Richard), I had no idea of what to expect. “Who’s Afraid” is a hurricane of journeyman acting and the key to balance is equal participation of all four members. It’s not for the faint of heart or those with delicate sensibilities. There is a visceral sexuality and open-wound emotional vulnerability that would, if not unchecked with the brilliant dialogue, lead to overload in short order. Most of us survived. The audience did dwindle after the end of the 2nd intermission – but that was more a product of the late start and the average age of the audience – many of whom were way passed bedtime.
Meg Tilly’s portrayal of Martha demands complete physicality, full-on, safety off, emotional release. Watching her from the 4th row of the “Mac” wind up and unleash a fury of frustration infused verbal abuse upon an all-to-eager to expiate and thoroughly pecked George… was exhausting – and the relief would come in the final moments of the final act with a completely unexpected and dazzling dénouement.
Andrea commented after the standing ovation – “How does one sleep after a performance like that – how does anyone have anything left to give?”
I have never seen anything like it in my life – like many people, I have witnessed some domestic fireworks in my childhood, most of which began and ended within seconds or minutes and did not involve any physical harm to anyone – But “Who’s afraid” takes you to a place you have never been before, a place you don’t want to be – and it’s only the artful skill of the thespians that allow you to witness the complete extreme of human pain and domestic discourse without completely being blown from the theater.
Meg and the cast of “Who’s afraid of Virginia Woolfe” were utterly brilliant and delivered “the goods” – their interpretation of timeless sexuality infidelity and complete sadness within the context of the drama was flawless. If you were lucky enough to get tickets to this show… Enjoy… and I use that term loosely.
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